With the proclamation of its title and the weathered defiance of Frances McDormand’s thousand-yard stare, Three Billboards Outside Ebbing, Missouri is a film which demands attention. And it has garnered it, both from the critics and the Academy, as it edges ahead as the Oscars’ frontrunner, and deservedly so, perhaps. It’s by no means an … Continue reading Three Billboards Outside Ebbing, Missouri dir. Martin McDonagh, reviewed by David Hartley